photo genres portfolio

Portfolio: photo-genres

A portfolio is an edited collection of an artists bast work intended to showcase an artists style and/or method of work.

In my opinion a successful portfolio both expresses and displays an artist's personality and showcases various presentation materials that both represent the artist and their work which also links to a theme of their choice. it also needs to have a consistent style in terms of editing and link to the subject of formal elements while showcasing an artists best work. The work also has to be aesthetic ("the pleasant, positive or artful appearance of a person or a thing"). My aim for this shoot is to  photograph urban and city landscapes and create colour splashes like the below image where the bus stands out but the landscape still draws attention.

Images to be taken between 24.01.19 and 10.03.19. 

Theme- the urban landscape

Artist research

 Nicholas "Nico" Goodden is a London based urban photographer and cinema-graph maker. His work has been featured in publications such as the Huffington Post, The Phoblographer, World Photo Org. His use of colour has inspired me to base my portfolio off of his work.

image bank

this a selection of images that my shoot will be inspired by the following images:

contact sheet(s)

 Best images (this consists of both original images and edited images)

Images that require improvement

i felt that the following images required improvement because they were all either under exposed of over exposed.

AO3: Record ideas, observations and insights relevant to intentions, reflecting critically on work and progress.

My idea for recording a this portfolio was to base my work off the images in my image bank and the concept they portray as well as Nico Goodden's photos.

 With reference to my best images, I feel that although I could not create photographs exactly like my image bank photos or Goodden's work, I did create a set that was in the style their work but also relates to my previous work. I am happy with the overall outcome of my images and feel that they all show the many ways that a documentary can be captured.

With regards to some of the images that did not come out as I expected, I struggled to adapt my camera settings as I was unfamiliar with how the camera worked and was also in places which were extremely crowded .   Some images lacked focus, whilst in the case of others I struggled to use the cameras exposure meter.   I believe I can overcome these issues through more practise and if i had placed myself in situations that weren't as packed with people as some of the popular landmarks are.

AO2: Explore and select appropriate resources, media, materials, techniques and processes, reviewing and refining ideas as work develops.

All images were taken using a  FUJIFILM FinePix S9500,with the shutter speed at 1/470 of a second, f4.5  and ISO 80. I tried to increase the aperture setting to as high as possible so that I can have a sharper picture with a wider depth of field, however in some cases this was not possible as the lighting was poor and i could not get as much distance from the subject(s) as i aspired to.

the selective colour editing process:

AO4: Present a personal and meaningful response that realises intentions and, where appropriate, makes connections between visual and other elements.  

i feel that i have produced a strong portfolio, all consistent with the theme of colour within an urban landscape, the following final images were edited using either the process shown above, or simply by editing the brightness, contrast, hue and saturation.

composite image making

Composite Image Making

Definition

Digital compositing is the process of digitally assembling multiple images to make a final image, typically for print. This can be done by manipulating one or multiple images using both digital editing and physical editing.

Hannah Hoch 

Raoul Hausmann

Task One.

List the ways in which conventional photographic techniques are used to manipulate images.

Photoshop:

• digital edits
• layers
• levels
• saturation
• contrast
• colour balance
• highlights and shadows
• hue
• vibrancy
• curves
• clone stamp
• healing brushes
• brightness
• blur 
• sharpen
• smudge
• red eye tool

Task Two; practicing image manipulations

image one

image two

Artist research - Storm Thorgerson

Storm Thorgerson was an English graphic designer and music video director. He created work for artists including Pink Floyd, Led Zeppelin, Phish,Black Sabbath, Peter Gabriel, Genesis, Yes, Muse, and Ween and was born in Potters Bar, Hertfordshire in 1944, and studied both a BA in English at Leicester University and a MA in Film and TV at The Royal College of Art. He is best known for his inspired artwork and designs that have featured on four decades of Pink Floyd album covers which shows surrealism through image manipulation. He is considered to be part of the modern Surrealism movement, and has named René Magritte as one of his biggest influences. In 2003, Thorgerson suffered a stroke, from which he was partially paralysed. He was later diagnosed with an undisclosed form of cancer, which he battled for several years, but which eventually led to his death in London on 18 April 2013, at the age of 69. Throughput his life he was described as a "graphic genius" and "tireless worker right up to the end".

i feel that Thorgersons idea for this image could relate to breaking away from the 'norms' and almost looking past the frame of an image 

i feel that this image could relate to becoming 'one with nature' and how humanity is created by nature as the tree is an outline of a side profile

i feel this image could relate to the childhood memory of imaging clouds of representing shapes or objects as the image is manipulated to have the cloud formations represents butterflies

Image bank, these images feature ones from my chosen artist and google searches of composite images.

Image manipulation images

image one;

To edit these images i altered the curves, brightness, contrast and the levels of the images, i felt by doing this i made the two images match in terms of exposure and brightness, after i had done this i altered the saturation and vibrance of the images to highlight their features, i then cut out the whole cat from its original image, i then copied and pasted the cut out layer on top of the cropped image of the church, once i had done this i created a layer mask and carefully cut away the intricate sections of the church so that the cat was sitting behind them. To complete my image, i did a final alter to the shadows and highlights of the flattened image.

Image two;

 

AO1: Develop ideas through sustained and focused investigations informed by contextual and other sources, demonstrating analytical and critical understanding.

(Here you will discuss how you developed your work based on your research of e.g. artists/photographers, etc).

(It is important that you show a progression of your work… which may mean revisiting a subject area and adding additional images showing a development of your ideas or refinement of the final images through).

The artist research was very useful during these shoots as I had some inspiration on how to tackle the method of creating and manipulating images. My research of Storm Thorgerson helped me to focus on the details of the surrealistic side of the images and to also manipulate my images to create new images. I found this helpful because I have a lot of opportunities to photograph different subjects that could be manipulated and also find places where i could photograph and further create manipulations using editing on photoshop. 

AO3: Record ideas, observations and insights relevant to intentions, reflecting critically on work and progress.

My idea for image manipulations was to create surrealistic images using normal subjects. I was inspired by Storm Thorgersons work, in the way that he created his images by manipulating objects.  With reference to my final images, I feel that although I could not create photographs exactly like Thorgersons, I did create a set that was in the style of their work. I am happy with the overall outcome of my images and feel that they all show the many ways that an image can be manipulated.

AO2: Explore and select appropriate resources, media, materials, techniques and processes, reviewing and refining ideas as work develops.

All images were taken while on a day out and by an iPhone SE

Image of cat:

shutter speed- 1/480sec

aperture- f/2.2

ISO- 25

flash- didn't fire

image of church:

shutter speed-1/1500sec

aperture-f/2.2

ISO-25

flash- didn't fire

image of tall feature and cloudy sky:

shutter speed-1/1050sec

aperture- f/2.2

ISO-25

flash- didn't fire

AO4: Present a personal and meaningful response that realises intentions and, where appropriate, makes connections between visual and other elements.  

(At the end of the entry you will discuss whether you have produced a personal and meaningful response, this means  (are my images creative/relevant to the subject area studied/connected and influenced by any research undertaken).

     i believe that I have produced a strong series of images inspired by my research of composite images and the artist Storm Thorgerson. The final images were refined by altering the curves, brightness, contrast and the levels of the images, as they are more complex edits i have described how i got the final images in my 'edited images' section. With the majority of my images i created my own take on Storm Thorgerson's style of photography.