Showing posts with label formal elements. Show all posts
Showing posts with label formal elements. Show all posts

Thursday, 31 January 2019

independent shoot two

independent shoot two

This shoot is inspired by the work of Gabriel Hemery's tree photography.


artist research

Dr Gabriel Hemery is a silvologist (forest scientist), author and tree photographer. He co-founded the Sylva Foundation with Sir Martin Wood, a tree and forestry charity established in 2009. He is a photographer specialising in tree, forest and landscape photography, working under the name of The Tree Photographer.

image bank






contact sheet(s)


best/ edited images






images that require improvement








 i felt this image was too dark and underexposed, if i were to take it again i would take a raw image instead of taking this image with an altered exposure








i felt these images lacked focus and didn't show any depth at all and so they will not be presented within my final images










i felt these two images were both sides of the spectrum, the one to the left i felt was too exposed and the one below was underexposed

AO1: Develop ideas through sustained and focused investigations informed by contextual and other sources, demonstrating analytical and critical understanding.


(Here you will discuss how you developed your work based on your research of e.g. artists/photographers, etc).


(It is important that you show a progression of your work… which may mean revisiting a subject area and adding additional images showing a development of your ideas or refinement of the final images through).
the artist research was vital during this shoot as i needed something to base my work off of,
AO3: Record ideas, observations and insights relevant to intentions, reflecting critically on work and progress.



AO2: Explore and select appropriate resources, media, materials, techniques and processes, reviewing and refining ideas as work develops.
all images were taken on an iPhone 8 with the camera settings below;


bridge image-  
1/1500sec, f/2.2, ISO25

trees and lampost- 
1/1100, f/2.4, ISO 50

tree image-



1/1500sec, f/2.2, ISO25

To edit this image (below) i altered the curves, brightness, contrast and the levels of the image, i felt by doing this i accentuated the different styles of shape that the different coloured leaves created, after i had done this i altered the saturation and vibrance of the image to highlight its features. To complete my image, i did a final alter to the shadows and highlights of the image. i then decided that the darker blue in the bottom right hand side of the image looked better that the lighter blue and so i created a layer mask to keep the dark blue. this process and the difference in images is displayed below.
























AO4: Present a personal and meaningful response that realises intentions and, where appropriate, makes connections between visual and other elements.  

(At the end of the entry you will discuss whether you have produced a personal and meaningful response, this means  (are my images creative/relevant to the subject area studied/connected and influenced by any research undertaken). 


independent shoot one

independent shoot one

This shoot was inspired by the work of Eric Lafforgue with hints of Cal Redback, but without the surrealist element of Redbacks work.


Cal Redback is a french photographer and artist who brings new meaning to the term, "organic portraits", his images are a form of composite images, merging plants and nature with portraiture.
 Richard Avedon was an American fashion and portrait photographer. An obituary published in The New York Times said that "his fashion and portrait photographs helped define America's image of style, beauty and culture for the last half-century".






Image bank











Contact sheets





Best images and edited images





images that i dislike/ require improvement





>i felt this images didnt look good because you cantsee the bottom of the jug and it is off centre.









< i felt this image was also off centre and slightly unfocused, to improve it i would take it again and re-centre the camera and the focus.















AO1: Develop ideas through sustained and focused investigations informed by contextual and other sources, demonstrating analytical and critical understanding.

(Here you will discuss how you developed your work based on your research of e.g. artists/photographers, etc).
The artist research was very useful during these shoots as I had some inspiration on how to tackle the method of creating and capturing flowers and people. My research of Eric Lafforgue and Cal Redback helped me to focus on the details of the flowers aswell as the people. I found this helpful because I have a lot of opportunities to photograph both the flowers and the person in the images.

.

(It is important that you show a progression of your work… which may mean revisiting a subject area and adding additional images showing a development of your ideas or refinement of the final images through).

AO3: Record ideas, observations and insights relevant to intentions, reflecting critically on work and progress.

     My idea for recording colour and nature was to photograph the different situations with people and flowers, like Eric Lafforgue and Cal Redback, and to focus on creating my own patterns within my images. I was inspired by the work of Eric Lafforgue and Cal Redback by their method of taking photos, and by what they captured within some of  his photos by artificially creating the backgrounds of the images. 

      With reference to my best images, I feel that although I could not create photographs exactly like Eric Lafforgue and Cal Redback photos, I did create a set that was in the style of both of their work but with flowers and people that i photographed together. I am happy with the overall outcome of my images and feel that they all show the many ways that flowers can be captured within a photograph both with and without editing.

AO2: Explore and select appropriate resources, media, materials, techniques and processes, reviewing and refining ideas as work develops.




to edit these images, i first altered the curves, brightness, contrast and the levels of the images, i then created another layer of the image and changed it to black and white, i then further altered the curves, brightness, contrast and the levels of black and white copy of the original images, i then used the opacity tool to make the background look darkened but in colour, 
i used the eraser tool to delete the  area of the selected images which was in focus once i had done this, it revealed the colour underneath, i then flattened the images by merging all the layers and further altering the curves, brightness, contrast and the levels of the final images.

AO4: Present a personal and meaningful response that realises intentions and, where appropriate, makes connections between visual and other elements.  

(At the end of the entry you will discuss whether you have produced a personal and meaningful response, this means  (are my images creative/relevant to the subject area studied/connected and influenced by any research undertaken). 

I believe that I have produced a strong series of images inspired by my research of nature and the artists Eric Lafforgue and Cal Redback, yet with my own style The final images were refined by developing the contrast and changing the brightness.





independent shoot three

Independent shoot three

This shoot is inspired by the work of Harold Feinstein and his flowers portfolio.

Artist research


Harold Feinstein was born in Coney Island in 1931. When he passed away in 2015 the New York Times declared him: “One of the most accomplished recorders of the American experience.”
He began his photography career in 1946 at age 15. Within four short years, at the age of 19 he had his work purchased by Edward Steichen for the permanent collection of the Museum of Modern Art.
He joined the Photo League at 17 and became a prominent figure of the early New York City street photography scene and one of the original inhabitants of the legendary “jazz loft”.

image bank











Contact sheet(s)



Best images/ edited images

to edit these images, i first altered the curves, brightness, contrast and the levels of the images, then i created a new black layer, in either 10x10cm for the square images or 10x16 for the rectangular images. i then used the quick selection tool to cut out the flower heads,and then dragged them to the new layers, then i cleaned up the edges of the flowers and further edited the curves, brightness, contrast and the levels of the images, so that they stood out and look vibrant on the background.










AO1: Develop ideas through sustained and focused investigations informed by contextual and other sources, demonstrating analytical and critical understanding.

(Here you will discuss how you developed your work based on your research of e.g. artists/photographers, etc).
The artist research was very useful during these shoots as I had some inspiration on how to tackle the method of creating and capturing flowers. My research of Harold Feinstein helped me to focus on the details of the flowers. I found this helpful because I have a lot of opportunities to photograph different flowers

In order to develop my work further, i made my images backgrounds black to reflect Harold Feinstein's images.

(It is important that you show a progression of your work… which may mean revisiting a subject area and adding additional images showing a development of your ideas or refinement of the final images through).

AO3: Record ideas, observations and insights relevant to intentions, reflecting critically on work and progress.

     My idea for recording colour and nature was to photograph the different flowers, like Harold Feinstein, and to focus on creating my own patterns within my images. I was inspired by the work of Harold Feinstein by his method of taking photos, and by what he captured within some of  his photos by artificially creating the backgrounds of the images. 

      With reference to my best images, I feel that although I could not create photographs exactly like Harold Feinsteins photos, I did create a set that was in the style of his work but with different flowers that i photographed myself. I am happy with the overall outcome of my images and feel that they all show the many ways that flowers can be captured within a photograph both with and without editing.

AO2: Explore and select appropriate resources, media, materials, techniques and processes, reviewing and refining ideas as work develops.

I used an iPhone 8 for all the shots taken  I made sure that when taking my images, that the zoom was appropriate and that the focus was correct. By using photoshop and the file information i had the following camera settings: shutter speed 1/115 sec, f/2.2, ISO 25.



  
To edit this image, i first used the quick select tool to outline the marigold, as shown in the image below the original, once i had done this, i created a new photoshop document, which was a 210cm x 210cm black square, this was to be the foundations of my edit. i then transferred the cut out marigold over to the new document, after refining the edges and ensuring no parts of the flower were unintentionally cut off. Once i had done this, i created one final edit by refining the brightness and contrast of the flower layer. Once i had done this i decided to experiment with this image as it is my personal favourite out of all my edits as the flower had multiple layers to it and the image that i took had good lighting. 

So i experimented with duplicating the flower and resizing it. i duplicated 4 layers of the original edit, each resized to 50% of the original, i decided to position each of these in the corners of the squares, i then decided to fill the blank spaces between them with duplicates of those flowers, each 25% of the size of the previous.

Then to add more to my image, i selected the black layer, and then outlined a circle of a fixed ratio of 1:1 and coloured it white, i then added another circle inside it which was slightly smaller and still at ratio 1:1 and coloured it black. this added the white circle within the image which connected all the flowers together. i then did i final alter to the brightness and contrast of all the flower layers, which i felt finalised my experimental edit.






















AO4: Present a personal and meaningful response that realises intentions and, where appropriate, makes connections between visual and other elements.  

(At the end of the entry you will discuss whether you have produced a personal and meaningful response, this means  (are my images creative/relevant to the subject area studied/connected and influenced by any research undertaken). 

I believe that I have produced a strong series of images inspired by my research of nature and the artist Harold Feinstein. The final images were refined by developing the contrast and changing the brightness and adding a black background

















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